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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" color:#030304;">Mrs. Ramsay’s husband, and a prominent metaphysical philosopher. Mr. Ramsay loves his family but often acts like something of a tyrant. He tends to be selfish and harsh due to his persistent personal and professional anxieties. He fears, more than anything, that his work is insignificant in the grand scheme of things and that he will not be remembered by future generations. Well aware of how blessed he is to have such a wonderful family, he nevertheless tends to punish his wife, children, and guests by demanding their constant sympathy, attention, and support.</span></p></body></html>]]></RTFText>
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" font-style:italic;">&quot;born into a large connection, born not of rich parents, but of well—to—do parents, born into a very communicative, literate, letter writing, visiting, articulate, late nineteenth century world&quot;</span> </p>
<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;">A Sketch of the Past - Virginia Woolf</p>
<p style="-qt-paragraph-type:empty; margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><br /></p>
<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" font-size:14px; color:#000000; background-color:#ffffff;">Virginia was born at 22 Hyde Park Gate and lived there till her father's death in 1904. Number 22 Hyde Park Gate, South Kensington, lay at the south east end of Hyde Park Gate, a narrow cul-de-sac running south from Kensington Road, just west of the Royal Albert Hall, and opposite Kensington Gardens and Hyde Park, where the family regularly took their walks.</span></p>
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			<Text id="e5750d8f-22e3-4ffc-bda9-3c2687d9374e" title="Henry David Thoreau" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="9" fillcolor="#ff0000" datemodified="2020-07-08T13:30:23" neighbours="4404b5cf-82fb-4585-8a1b-75709f403373" subtreestyle="sideways" priority="2" level="4" shapenodeid="426a2438-5802-474b-9b0a-496bf601f473" titlelocation="underneath" useautomatictextcolor="false" x="712.494" y="104.533" z="0" matrix="62.0921 0 0 62.0921" circlecentrex="-49.1926" circlecentrey="-10.4348" fittitle="adjustshape" reftype="article">
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			<Text id="db307a6d-6827-4f7b-bc78-84dad66a91c3" title="Time Passes" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="9" fillcolor="#90ee90" datemodified="2020-08-27T09:41:41" neighbours="8948d013-6da6-4812-ab81-2e5f665b5b2a" subtreestyle="sideways" priority="3" level="3" shapenodeid="7947f9e9-2c83-4106-bd37-336606cc52da" titlelocation="underneath" useautomatictextcolor="false" x="-389.385" y="394.136" z="0" matrix="56.4474 0 0 56.4474" circlecentrex="8.94409" circlecentrey="-47.7019" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" color:#222222; background-color:#ffffff;">The second section gives a sense of time passing, absence, and death. Ten years pass, during which the First World War begins and ends. Mrs Ramsay dies, as do two of her children – Prue dies from complications of childbirth, and Andrew is killed in the war. Mr Ramsay is left adrift without his wife to praise and comfort him during his bouts of fear and anguish regarding the longevity of his philosophical work. This section is told from an omniscient point of view and occasionally from Mrs. McNab's point of view. Mrs. McNab worked in the Ramsay's house since the beginning, and thus provides a clear view of how things have changed in the time the summer house has been unoccupied.</span></p></body></html>]]></RTFText>
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			<Text id="6b6ea269-709d-4d78-bf5d-3e036643211c" title="Characters" font="Trebuchet MS,12,-1,5,50,0,0,0,0,0,Regular" linecolor="transparent" linewidth="9" fillcolor="#0000ff" datemodified="2021-12-02T14:24:32" neighbours="ca7cc386-0a17-4bbc-b656-d98ba114af65,9534ad4f-d049-48a7-aeb9-be17228a8608,e948082f-aa32-40f8-b2d8-b044635df6a1,e662b5b5-ead0-40a1-a5e7-f1b105ee5e52,190c9607-6827-4b24-8f0c-d359fc902daa" subtreestyle="sideways" priority="4" level="2" shapenodeid="da4b77ea-2f68-494e-be0a-cab51f8232f1" titlelocation="underneath" useautomatictextcolor="false" x="332.121" y="379.926" z="0" matrix="81 0 0 81" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" requiredwordcount="-2147483648" reftype="article">
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			<Text id="2814a90c-ae86-4e2c-846b-e96049e8c9eb" title="Mrs Ramsay" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="9" fillcolor="#90ee90" datemodified="2020-08-27T09:38:29" neighbours="9534ad4f-d049-48a7-aeb9-be17228a8608" subtreestyle="sideways" level="3" shapenodeid="9af0d053-2428-41a7-9c8e-dc438d3af445" titlelocation="underneath" useautomatictextcolor="false" x="522.238" y="244.203" z="0" matrix="62.0921 0 0 62.0921" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;">Mr. Ramsay’s wife. A beautiful and loving woman, Mrs. Ramsay is a wonderful hostess who takes pride in making memorable experiences for the guests at the family’s summer home on the Isle of Skye. Affirming traditional gender roles wholeheartedly, she lavishes particular attention on her male guests, who she believes have delicate egos and need constant support and sympathy. She is a dutiful and loving wife but often struggles with her husband’s difficult moods and selfishness. Without fail, however, she triumphs through these difficult times and demonstrates an ability to make something significant and lasting from the most ephemeral of circumstances, such as a dinner party. </p></body></html>]]></RTFText>
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			<Text id="24ac82e8-242b-4044-9cd6-da90f7fedfa1" title="Lily Briscoe" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="4" fillcolor="#90ee90" datemodified="2020-08-27T09:40:42" neighbours="190c9607-6827-4b24-8f0c-d359fc902daa" subtreestyle="sideways" priority="4" level="3" shapenodeid="d4eed0dd-6622-4d3c-9385-86aa2269e02d" titlelocation="underneath" useautomatictextcolor="false" x="613.329" y="514.159" z="0" matrix="56.4474 0 0 56.4474" circlecentrex="-162.484" circlecentrey="37.2671" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" color:#000000;">A young, single painter who befriends the Ramsays on the Isle of Skye. Like Mr. Ramsay, Lily is plagued by fears that her work lacks worth. She begins a portrait of Mrs. Ramsay at the beginning of the novel but has trouble finishing it. The opinions of men like Charles Tansley, who insists that women cannot paint or write, threaten to undermine her confidence.</span></p></body></html>]]></RTFText>
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			<Text id="1942c6f8-cc59-4f93-91e7-4995cb0c810b" title="James Ramsay" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="4" fillcolor="#90ee90" datemodified="2020-08-27T09:40:42" neighbours="e662b5b5-ead0-40a1-a5e7-f1b105ee5e52" subtreestyle="sideways" priority="3" level="3" shapenodeid="b6a5d092-0dfb-4073-93b2-1e7107113655" titlelocation="underneath" useautomatictextcolor="false" x="525.219" y="415.057" z="0" matrix="62.0921 0 0 62.0921" circlecentrex="-71.5528" circlecentrey="20.8696" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" color:#000000;">The Ramsays’ youngest son. James loves his mother deeply and feels a murderous antipathy toward his father, with whom he must compete for Mrs. Ramsay’s love and affection. At the beginning of the novel, Mr. Ramsay refuses the six-year-old James’s request to go to the lighthouse, saying that the weather will be foul and not permit it; ten years later, James finally makes the journey with his father and his sister Cam. By this time, he has grown into a wilful and moody young man who has much in common with his father, whom he detests.</span></p></body></html>]]></RTFText>
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			<TOC id="8844ffe9-0eba-4b53-8cd0-397e5c27d4ad" title="Table of Contents" fillstyle="nofill" font="Trebuchet MS,12,-1,5,50,0,0,0,0,0,Regular" linecolor="transparent" linewidth="9" fillcolor="#add8e6" datemodified="2021-12-02T14:24:32" neighbours="18fbbe8e-db37-4477-988c-f88fe2bf9fcb" subtreestyle="sideways" level="2" shapenodeid="38ed4b1e-32a0-436f-ba43-4ac08384b7b7" titlelocation="underneath" useautomaticfillcolor="false" useautomatictextcolor="false" x="239.312" y="-432.738" z="0" matrix="68.3013 0 0 68.3013" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" requiredwordcount="-100" reftype="article"/>
			<Text id="8a44c8d1-d9c5-40b6-acf3-972b92a97faa" title="Restorative Effects of Beauty" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="9" fillcolor="#90ee90" datemodified="2020-08-27T09:38:57" neighbours="bbee2d1b-20a9-49d2-a613-3d99895dbe0a" subtreestyle="sideways" priority="3" level="3" shapenodeid="78a54a7f-f29d-40d0-b4c9-a6390337159f" useautomatictextcolor="false" x="-597.814" y="-75.0466" z="0" matrix="100 0 0 100" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" font-style:italic;">&quot;At the beginning of the novel, both Mr. Ramsay and Lily Briscoe are drawn out of moments of irritation by an image of extreme beauty. The image, in both cases, is a vision of Mrs. Ramsay, who, as she sits reading with James, is a sight powerful enough to incite “rapture” in William Bankes. Beauty retains this soothing effect throughout the novel: something as trifling as a large but very beautiful arrangement of fruit can, for a moment, assuage the discomfort of the guests at Mrs. Ramsay’s dinner party. Lily later complicates the notion of beauty as restorative by suggesting that beauty has the unfortunate consequence of simplifying the truth. Her impression of Mrs. Ramsay, she believes, is compromised by a determination to view her as beautiful and to smooth over her complexities and faults. Nevertheless, Lily continues on her quest to “still” or “freeze” a moment from life and make it beautiful. Although the vision of an isolated moment is necessarily incomplete, it is lasting and, as such, endlessly seductive to her.&quot;</span> </p></body></html>]]></RTFText>
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			<Text id="ba16808c-299f-41ae-bef7-157301c26656" title="Art and Preservation" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="9" fillcolor="#90ee90" datemodified="2020-08-27T09:38:57" neighbours="bb2a81a5-3a57-4e61-8beb-9471263d21ca" subtreestyle="sideways" priority="4" level="3" shapenodeid="78a54a7f-f29d-40d0-b4c9-a6390337159f" useautomatictextcolor="false" x="-602.814" y="39.9534" z="0" matrix="110 0 0 110" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" font-style:italic;">&quot;In the face of an existence that is inherently without order or meaning, Mr. and Mrs. Ramsay employ different strategies for making their lives significant. Mr. Ramsay devotes himself to his progression through the course of human thought, while Mrs. Ramsay cultivates memorable experiences from social interactions. Neither of these strategies, however, proves an adequate means of preserving one’s experience. After all, Mr. Ramsay fails to obtain the philosophical understanding he so desperately desires, and Mrs. Ramsay’s life, though filled with moments that have the shine and resilience of rubies, ends. Only Lily Briscoe finds a way to preserve her experience, and that way is through her art. As Lily begins her portrait of Mrs. Ramsay at the beginning of the novel, Woolf notes the scope of the project: Lily means to order and connect elements that have no necessary relation in the world—“hedges and houses and mothers and children.” By the end of the novel, ten years later, Lily finishes the painting she started, which stands as a moment of clarity wrested from confusion. Art is, perhaps, the only hope of surety in a world destined and determined to change: for, while mourning Mrs. Ramsay’s death and painting on the lawn, Lily reflects that “nothing stays, all changes; but not words, not paint.”&quot;</span> </p></body></html>]]></RTFText>
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			<Text id="c3cfa070-b7b3-4c39-81be-e13804820a27" title="Conclusion" font="Arial,15.972,-1,5,50,0,0,0,0,0" linecolor="#aef78e" linewidth="9" fillcolor="#aef78e" datemodified="2021-12-02T14:24:32" neighbours="1a1fdc52-0ff9-4abd-9536-fa33ae310d97" subtreestyle="sideways" priority="7" level="2" shapenodeid="6364e49e-b634-476a-8edf-6afa073aca0b" useautomaticfillcolor="false" useautomatictextcolor="false" useautomaticlinecolor="false" x="-320.321" y="-300.068" z="0" matrix="121 0 0 121" circlecentrex="95.4037" circlecentrey="-86.4597" fittitle="adjustshape" requiredwordcount="-2147483648" reftype="article">
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			<Text id="eecfcf28-7d4f-4c64-a857-ef23d9f28e80" title="Life and Work" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="9" fillcolor="#90ee90" datemodified="2020-08-27T09:38:57" neighbours="11e6a38f-ef1a-4a3d-ba5f-21937ca30299" subtreestyle="sideways" level="3" shapenodeid="78a54a7f-f29d-40d0-b4c9-a6390337159f" useautomatictextcolor="false" x="-589.136" y="-286.369" z="0" matrix="82.6447 0 0 82.6447" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" font-style:italic;">&quot;Mr. Ramsay and Mrs. Ramsay take completely different approaches to life: he relies on his intellect, while she depends on her emotions. But they share the knowledge that the world around them is transient—that nothing lasts forever. Mr. Ramsay reflects that even the most enduring of reputations, such as Shakespeare’s, are doomed to eventual oblivion. This realization accounts for the bitter aspect of his character. Frustrated by the inevitable demise of his own body of work and envious of the few geniuses who will outlast him, he plots to found a school of philosophy that argues that the world is designed for the average, unadorned man, for the “liftman in the Tube” rather than for the rare immortal writer. Mrs. Ramsay is as keenly aware as her husband of the passage of time and of mortality. She recoils, for instance, at the notion of James growing into an adult, registers the world’s many dangers, and knows that no one, not even her husband, can protect her from them. Her reaction to this knowledge is markedly different from her husband’s. Whereas Mr. Ramsay is bowed by the weight of his own demise, Mrs. Ramsay is fuelled with the need to make precious and memorable whatever time she has on earth. Such crafted moments, she reflects, offer the only hope of something that endures.&quot;</span> </p></body></html>]]></RTFText>
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			<Text id="41d50e76-b823-42e9-bc53-74f15e98d968" title="Themes and Ideas" font="Trebuchet MS,13.2,-1,5,50,0,0,0,0,0,Regular" linecolor="transparent" linewidth="9" fillcolor="#add8e6" datemodified="2021-12-02T14:24:32" neighbours="b1d2b846-c288-4524-b601-38eedf5d078b,11e6a38f-ef1a-4a3d-ba5f-21937ca30299,36bd0448-4500-43ca-b8f5-9187e4e51195,bbee2d1b-20a9-49d2-a613-3d99895dbe0a,bb2a81a5-3a57-4e61-8beb-9471263d21ca" subtreestyle="sideways" priority="6" level="2" shapenodeid="91324ca4-cbfb-42a8-ac86-ab7de60b64d7" titlelocation="underneath" useautomaticfillcolor="false" useautomatictextcolor="false" x="-466.768" y="-123.208" z="0" matrix="62.0921 0 0 62.0921" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" requiredwordcount="-2147483648" reftype="article">
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			<Text id="b31db402-57b6-4cef-aece-96a624854839" title="Subjective Nature of Reality" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="4" fillcolor="#90ee90" datemodified="2020-08-27T09:38:57" neighbours="36bd0448-4500-43ca-b8f5-9187e4e51195" subtreestyle="sideways" priority="2" level="3" shapenodeid="78a54a7f-f29d-40d0-b4c9-a6390337159f" useautomatictextcolor="false" x="-597.814" y="-185.047" z="0" matrix="100 0 0 100" circlecentrex="0" circlecentrey="0" fittitle="adjustshape" reftype="article">
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" font-style:italic;">&quot;Toward the end of the novel, Lily reflects that in order to see Mrs. Ramsay clearly—to understand her character completely—she would need at least fifty pairs of eyes; only then would she be privy to every possible angle and nuance. The truth, according to this assertion, rests in the accumulation of different, even opposing vantage points. Woolf’s technique in structuring the story mirrors Lily’s assertion. She is committed to creating a sense of the world that not only depends upon the private perceptions of her characters but is also nothing more than the accumulation of those perceptions. To try to re imagine the story as told from a single character’s perspective or—in the tradition of the Victorian novelists—from the author’s perspective is to realize the radical scope and difficulty of Woolf’s project.&quot;</span> </p></body></html>]]></RTFText>
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			<Text id="c30a081e-fdf6-4337-b022-ccac2a2ab243" title="The Lighthouse" font="Arial,12,-1,5,50,0,0,0,0,0" linecolor="transparent" linewidth="9" fillcolor="#90ee90" datemodified="2020-08-27T09:41:41" neighbours="d70c6405-b5bc-44e5-9026-78fa409e4af5" subtreestyle="sideways" priority="2" level="3" shapenodeid="19fe347a-0be8-4550-b098-4dcd855f22bd" titlelocation="underneath" useautomatictextcolor="false" x="-398.727" y="248.841" z="0" matrix="75.1315 0 0 75.1315" circlecentrex="8.94409" circlecentrey="-14.9068" fittitle="adjustshape" reftype="article">
				<RTFText><![CDATA[<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN" "http://www.w3.org/TR/REC-html40/strict.dtd">
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<p style=" margin-top:9px; margin-bottom:9px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px; background-color:#ffffff;"><span style=" color:#222222; background-color:#ffffff;">In the final section, “The Lighthouse,” some of the remaining Ramsays and other guests return to their summer home ten years after the events of Part I. Mr Ramsay finally plans on taking the long-delayed trip to the lighthouse with daughter Cam(illa) and son James (the remaining Ramsay children are virtually unmentioned in the final section). The trip almost does not happen, as the children are not ready, but they eventually set off. As they travel, the children are silent in protest at their father for forcing them to come along. However, James keeps the sailing boat steady and rather than receiving the harsh words he has come to expect from his father, he hears praise, providing a rare moment of empathy between father and son; Cam's attitude towards her father changes also, from resentment to eventual admiration.</span></p>
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;">The novel is set in the Ramsays' summer home in the Hebrides, on the Isle of Skye. The section begins with Mrs Ramsay assuring her son James that they should be able to visit the lighthouse on the next day. This prediction is denied by Mr Ramsay, who voices his certainty that the weather will not be clear, an opinion that forces a certain tension between Mr and Mrs Ramsay, and also between Mr Ramsay and James. This particular incident is referred to on various occasions throughout the section, especially in the context of Mr and Mrs Ramsay's relationship. The Ramsays and their eight children have been joined at the house by a number of friends and colleagues. One of them, Lily Briscoe, begins the novel as a young, uncertain painter attempting a portrait of Mrs. Ramsay and James. Briscoe finds herself plagued by doubts throughout the novel, doubts largely fed by the claims of Charles Tansley, another guest, who asserts that women can neither paint nor write. Tansley himself is an admirer of Mr Ramsay, a philosophy professor, and his academic treatises. The section closes with a large dinner party. When Augustus Carmichael, a visiting poet, asks for a second serving of soup, Mr Ramsay nearly snaps at him. Mrs Ramsay is herself out of sorts when Paul Rayley and Minta Doyle, two acquaintances whom she has brought together in engagement, arrive late to dinner, as Minta has lost her grandmother's brooch on the beach.</p></body></html>]]></RTFText>
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;">Student Name: M Smith</p>
<p style="-qt-paragraph-type:empty; margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><br /></p>
<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;">Student Number: 0123 456 789</p>
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;">Class / Module: Comprehensive Reinterpretations</p>
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;">Due Date: 10 August 2018</p>
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<p style=" margin-top:0px; margin-bottom:0px; margin-left:0px; margin-right:0px; -qt-block-indent:0; text-indent:0px;"><span style=" font-style:italic;">&quot;The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.&quot;</span> </p></body></html>]]></RTFText>
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